Sep 22

“Hate advertising? Make better ads.”: “

Artandcopy

Quipping that most advertising is mediocre, documentary filmmaker Doug Pray goes on to say that Art & Copy, like his other films (Surfwise, Hype, and Scratch) is ultimately about ‘the innate human urge to express oneself creatively.’

With a cast of advertising giants (and what should be an inspiring display of unhinged profanity), Art & Copy opens this Friday in New York, Denver, Seattle, and Chicago.”

(Via Veer: Ideas: The Skinny.)

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Aug 13

Dudeism and the power of film: “

 

 

 

Credits:

 

Agency – DDB London
Creatives – Graeme Hall/ Hunter Somerville
Agency Producer – Sarah Browell
Production Company: Moxie Pictures
 Director: Seth Gordon
 Producer: Dawn Laren
 USA Producer: Mary Rohlich
 DOP - Bradford Whitaker
 Additional Camera: Bootsy Holler
 Editor - Luis Lopez
 Music – Michael Wandmacher
 Post – Framestore
 Sound – Elmo Webber

 

 

 

 

 

(Via CR Blog.)

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Aug 04

Movie Title Still Collection: “

movie titles collection

Truly impressive collection of movie title stills from 1920 to present.

(via @thescout)

(Via swissmiss.)

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Aug 04

The Man With the Golden Arm (1955): “

Saul Bass’s stark opening sequence for The Man With the Golden Arm (1955).

(via existingvisual)

(Via swissmiss.)

Aug 04

The best film titles ever made: “

  • The Great Ziegfeld (1936)

    Dizzying, expressionist intro to overstuffed MGM musical

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    Show Boat (1936)

    Quaint but effective opening for the 1936 incarnation of the am-dram staple

     

     

  • The Man With the Golden Arm (1955) 

    Saul Bass’s stark opening sequence for Preminger’s clammy heroin fable

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  • To Kill A Mockingbird (1962) 

    Simply perfect intro to Robert Mulligan’s fine adaptation of the straight-arrow classic

     

     

     

  • Walk on the Wild Side (1962)

    Sexy feline insouciance is at the very heart of this Nelson Algren adaptation

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  • Dr. No (1962)

    The future is here

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  • It’s a Mad, Mad, Mad, Mad World (1963)

    A glimpse into Saul Bass’s playful side

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    Dr. Strangelove (1964)

    Pablo Ferro’s classic sequence for Kubrick’s cold war satire

     

  • The Pink Panther (1964)

    The only credit sequence to be afforded it’s own freaky-deaky Saturday morning cartoon series?

     

     

  • Bonnie and Clyde (1967) 

    Stark, uncompromising and indelible

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  • Soylent Green (1973)

    Weird and wonderful backstory to the excellent sci-fi chiller (embedding has been disabled on this clip; click the film title for YouTube link)

     

     

  • Dawn of the Dead (2004) 

    Soylent Green’s jerky-cam offspring (embedding disabled)

     

     

  • Delicatessen (1991)

    Effortlessly French and utterly sumptuous (embedding disabled)

     

     

     

  • Goldeneye (1995)

    The first of Daniel Kleinman’s hugely evocative Bond sequences is all political instability and icy glamour

     

     

     

    Casino Royale (2006)

    His sequence for the recent 007 outing, with Chris Cornell giving it his all, is equally eye-popping, but looks like a very expensive car ad - much like the film

     

  •  

    Casino (1995)

    Saul Bass’s shimmering swansong

     

     

    Seven (1995)

    Kyle Cooper and Nine Inch Nails prepare you for the mental squalor of Fincher’s Bible-inflected thriller

     

     

    The Island of Dr. Moreau (1996) 

    Shame about the film…

     

     

    Run Lola Run (1998)

    Breathless German indie-crossover hit favours hand-drawn spikiness

     

     

    Panic Room (2002)

    Ominous and stately, the opening of Fincher’s taught thriller recalls…

     

     

    North by Northwest (1959)

    …Saul Bass’s titles for ‘North By Northwest

     

     

    Hulk (2003)

    Clammy and clamorous, Garson Yu prepares us for the big green guy’s cellular meltdown

     

     

     

  • Napoleon Dynamite (2004)

    Pablo Ferro again, this time opening a window on dopey slacker/irony godhead, Napoleon Dynamite

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  • Lord of War (2005) 

    Andrew Niccol manages to usurp his own film with this jaw-dropping montage (embedding disabled)

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  • Hostage (2005)

    Laurent Brett similarly outshines the middling Bruce Willis workout that followed his elegant opening sequence

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    OSS 117: Cairo, Nest of Spies (2006)

    Brett again, with a spot-on pastiche of swinging 50s spy malarkey

     

     

  • Down With Love (2003)

    The same approach, but applied to the Doris Day/Rock Hudson rom-com (embedding disabled)

     

     

  • Catch Me If You Can (2002)

    …and the caper flick

     

     

     

    Kiss Kiss Bang Bang (2005)

    A touch of noir for Kiss Kiss Bang Bang from Danny Yount

     

     

    Juno (2007)

    Light as a summer breeze and aided no end by the lo-fi song

     

     

     

  • Mr Margorium’s Wonder Emporium (2007)

    Totally outshining the subsequent film in every way is the loopy intro to this woeful kiddie flick (embedding disabled)

     

     

  • The Forbidden Kingdom (2008)

    What Tarantino was trying to do with Kill Bill compressed into two fantastic minutes (embedding disabled)

  • Adam Lee Davies writes about film for Time Out London and Little White Lies

     

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    (Via CR Blog.)

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    Aug 04

    Alice In Wonderland Teaser Trailer: “

    Looking good!
    Watch Trailer | edit: alternative link

    (Via Computerlove | Connecting Creative Talents.)

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    Jul 25

    True Blood: “

    Digital Kitchens title design for ‘True Bood’ is up for a 2009 Emmy.

    The Making Of

    (Via Computerlove | Connecting Creative Talents.)

    Jul 20

    Film the Future: “

    Check out the 10 finalists selected for State of Designs ‘Film the Future’ competition.

    (Via Computerlove | Connecting Creative Talents.)

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    Jul 05

    The Lost Tribes of NYC: “

    Urban anthropologists Andy & Carolyn London interview some of New York City’s more overlooked citizens.

    (via joanna)

    (Via swissmiss.)

    Jun 11

    Interview Project: “

    In a feat of self-explanatory titling, David Lynch has just launched Interview Project. It is, as the filmmaker states in his video intro, ‘a road trip where people have been found and interviewed.’ Taking in 20,000 miles across the US, a new film will be up online every three days…

    Despite Lynch’s hilarious misgivings concerning watching films on the small screen, Interview Project’s natural home is clearly the internet.

    Viewiers can watch each short film online and also follow the route of the filmmakers as they trek the 20,000 miles from the US west coast to east (and back) in 70 days.

    Lynch says that ‘the people who were interviewed – each… was different’ and hopes that the films will offer viewers the chance to ‘meet these people.’ So far so vague, but this is partly the attraction of Lynch’s project.

    From the pseudo-quaint welcoming of the viewer who has ‘tuned in’ to Interview Project, Lynch introduces the first of the films: Jess interviewed in Needles, California.

    Jess talks briefly about his life, his regrets and, in the most poignant line of the film, reveals that his ex-wife ‘liked drugs and other men better than me’.

    With 121 interviews filmed so far (all billed as Coming Soon on the site) no doubt there will be some more surprises along the way.

     

     

    (Via CR Blog.)

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